Videos / Audios



Parallax (2019-2020), for symphony orchestra
Commissioned by the SÜDWESTRUNDFUNK SWR Symphonieorchester. Bas Wiegers, conductor

through the cracks I (2025-2026) solo Eurorack project.
Lula Romero, modular synthesizer.

borrowing/borrowed walks (2022), for electric guitar and amplified percussion, Duo NOR

die Wanderung (2016-17), cycle of pieces for solo instrument, flute, saxophon, cello and harp, and live electronics, Vertixe Sonora

ins Offene (2012-2013), for ten instruments and live electronics.
Zafraan Ensemble, Premil Petrovic, conductor, Lula Romero, live Electronics

Present/Absent (2011), for baritone saxophone, double bass, percussion and piano,
Vertixe Sonora

re-currance (2025-2026), for chamber orchestra
Commissioned by the REAL FILHARMONÍA DE GALICIA
REAL FILHARMONÍA DE GALICIA
Conductor: Johanna Malangré

Morphogenesis (2021), for theorbo, electric guitar, accordion and live electronics
Commissioned by Azione Improvvisa with the support of Ernst Siemens Fundation

the old night itself (2024), for piano and live electronics
Piano, Claudia Pérez Iñesta, live electronics, Lula Romero.

MTRAK (2018), for fixed media
Binaural recording



List of Works


Scores in babelscores.com or lula@lularomero.com


Orchestra

recurrance (re-currance)
(2025-2026), for chamber orchestra

displaced
(2020), for chamber orchestra

Parallax
(2019-2020), for symphony orchestra


Ensemble

I contain multitudes
(2025) for three modular synthesizers

uneindeutiges
(2022-23) for txistu, tamboril and accordion

meandros y páramos
(2022) for flute, double-bell trumpet Bb, percussion, double bass and modular synthesizer

borrowing/borrowed walks
(2022), for electric guitar and amplified percussion

ohne Außen
(2022), for four saxophones (SATB) and electric guitar

autonomous realities
(2021), for flute, bass clarinet, violin and piano

Morphogenesis
(2021), for electric guitar, theorbe, accordion and live electronics

alla deriva
(2017-18), for violin, piano and live electronics

dérive
(2017), for string quartet and live electronics

Entmündigung
(2015-16), for two sopranos, alto and live electronics

el contento de la especulación
(2014), for 12 instruments and live electronics

der mitternächtige Tag
(2014), for flute, guitar, percussion and contrabass

ins Offene
(2012-13), for 10 instruments and live electronics

desencuentros
(2012-13), for two pianos and live electronics
Commissioned by SPOR Festivalen 2013.

Korrektur
(2012, rev. 2016-2020), for amplified voice, double bass and live electronics

teilnahme
(2011), for amplified flute, voice, harp, cello and percussion

present/absent
(2011), for baritone saxophone, double bass, percussion and piano

profil perdu
(2010), for Ensemble

Octubre
(2009), for brass ensemble: 4 trumpets, 2 horns, 3 trombones, 1 bass-trombone, 1 tuba and 2 percussionists


Solo with electronics

the old night itself
(2024), for piano and live electronics

Interludio sobre la Niña de los Peines - Vestigios
(2021), for alto saxophone and fixed electronics

Umbra
(2021), for organ and electronics

die Wanderung
(2016-17), cycle of pieces for instrument and live electronics
die Wanderung I, for accordion and live electronics
die Wanderung II, for tenor saxophone and live electronics
die Wanderung III, for cello and live electronics
die Wanderung IV, for flute and live electronics
die Wanderung V, for harp and live electronics
die Wanderung VI, for flute, tenor saxophone, harp, accordion, cello and live electronics

Anabasis
(2011-12), cycle of pieces for solo instruments and live electronics
1.- Solo electronics I
2.- Anabasis I, horn and live electronics
3.- Anabasis II, piano and live electronics
4.- Solo electronics II
5.- Anabasis III, percussion and live electronics
6.- Anabasis IV, Bb-clarinet and live electronics
7.- Solo electronics III
8.- Anabasis V, Bb-clarinet, horn, piano, percussion and live electronics


Solo pieces

Through the cracks I
(2025-2026), for solo modular synthesizer

Nomadic Traces
(2019), for solo piano

MTRAK (מטרקא)
(2018), for fixed electronics using the non-standard sound synthesis program SEGMOD

wieder ein mitternächtiger Tag
(2015), for solo flute


Other Formats

Music for Barbara Kenneweg's Hörspiel "Krieg der Söhne"
(2015), for electronics and contrabass